Blue Paperweight
Louis Tiffany Expo early in his career, he was very interested in the production of iridescent colors, glass art innovative. In literature published by Tiffany said that research in the development of these techniques to produce glass began in 1872 in New York. Tiffany had sought help from Italian producers trained he hired Venetian glass. In 1878 he founded the firm of Louis C. Tiffany Tiffany & Co., specializing in creating elaborate interiors decorated with rich clients for residential and commercial institutions. An element incorporated Tiffany in these projects were the use of iridescent glass tiles. They were used as surrounding the fireplace, decorative screens and ornamental wall. The tiles were molded and manufactured in different sizes with different decorations. The colors of the images including opalescent, translucent green, iridescent blue and gold, and solid colors like black, red and orange with swirls of fabulous colors. Later, glass tile Tiffany extra produced for use in lamps and decorative objects. Some images included scarobs, Turtleback tile, iridescent glass prisms and glass linenfold (who looked like folding clothes).
Roughly between 1892 and 1924, made in glass vases and bowls were produced By Tiffany Furnaces in Corona Queens. People often speak of three periods of general glass production. The first period was roughly between 1892 and 1900 was the period when most of the experiment was conducted in form (shape), color and the implementation and effects Special integrated into the glass. The average was the period that produced most of the Copa del art. The last period, which lasted from 1916 to the end of the company in recent years twenty years was the period when more commercial and less innovative parts were produced. Many of the parts produced in the period were in pastel colors.
Louis Comfort Tiffany was the artistic force design for all glass. It is said that Tiffany would be difficult to sketch a piece and then use the machine created the concept which is more complex and detailed room, which eventually requires the approval of Tiffany's before starting production.
In 1894, Tiffany reported his "Favrile glass for marks and patents. The term actually invented by referring not to a color or type of glass, but many different colors and textured glass used in the production of its various products, including windows, lamps and decorative objects.
Most of the glass vessel which not signed. A paper label was applied to identify the production by the Tiffany glass and decorating company. In the early production of many parts have been numbered sequentially from 1 to 9999. In about 1894 pieces began to be numbered with a prefix letter followed by a number. The letter used between A and Y (not Z). For example, in 1894, the prefix A and B were used,! Prefix 895 C and D. .. until about 1905, with the prefix W and Y. In this first period about 2 more cards have been used per year. Following this a number followed by a suffix has been used (about one letter a year from 11,906 to 1928). Some special notations, including the use of X for experimental exposure of the E, S (small) for special order, A Coll-made parts for the collection of personal Tiffany's.
Some types of glass that were produced were decorated glass, agate, Cyprus, Lava, paperweights, glass and aquamarine.
Glass decorated occur throughout the period. The decoration may vary from several small lines in a solid complex background King Tut, "where almost all the entire surface of the piece was decorated with swirling lines of chance. Some styles are special decorating with peacock feathers, eyes, the scene of the rack, flower decorations with different types of leaves and stylized flowers.
Glass Cyprus, which was probably inspired by the look of antique glass that had been discovered after being buried for hundreds of years and had acquired a rough surface irridized. The surface of the crater, as has often seemed to surface irregularities of the moon.
The dish is a glass darkly blue-black background with gold applied three dimensional designs that simulate the flow of lava .. They are very rare and valuable
Agate Cup, which was made to look like agate with many groups and color layers. Often these vessels are faceted to create even more unusual effects with color.
Crystal paperweight glass was essentially transparent colored floral or geometrical has been created internally to give the appearance that the element of design has been under water or floating in the clipboard of glass we use in our computers
Aquamarine glass, which is similar to the clipboard with crystal materials for interior decoration often water like fish, that seem to swim in the crystal.
Cameo glass is a technique in which when the glass is a layer of color is applied on top of another. In the process of completing the design was created by the reduction of color to reveal the top color in the cup often in technical floral.
In the collection of Tiffany glass size and color is irrelevant. The common color is gold, followed by iridescent blue and green. Less Common colors are red, yellow, orange and black. The rarer colors, more decorations and size complex impact on the final value.
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Dr. Robert Lerch
About the Author:
I am a nationally known collector of antiques including tiffany studios, bakelite, stained glass. My collections have been published in architectural digest, and several books.
http://www.docpaysthemost.com
Dr. Robert Lerch
Article Source: ArticlesBase.com - The Art Glass Produced by Tiffany Studios - An Overview
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